Arkells Come to Light Collective Arts Black Box Sessions
Trueing's Serie Triple Chandelier shown in dappled brass, one of five metal finishes.
There must something in the water—or, in this case, the lite waves—for these four young blueprint studios. Their spring and summer lighting introductions make the near of evolved cloth languages to evangelize fixtures that are at once comforting and subtly defiant of expectations. From the delicate withal thoughtfully adaptable concatenation-link motifs of Trueing's latest, to Bluish Green Works' idiosyncratic beach-beachcomber Brutalism, paying attending to these four names right now is undoubtedly a vivid idea.
Bennet Schlesinger
California-based designer Bennet Schlesinger's emotive bamboo, paper, and ceramic lamps have garnered a cult post-obit amid the creative class: He counts ceramist Simone Bodmer Turner, Greenish River Project designers Ben Bloomstein and Aaron Aujla, and the way designer Emily Bode every bit supporters. It's piece of cake to see why. His sculptures radiate light and warmth through a fabrication procedure that involves layering sheets of translucent newspaper over a woven bamboo armature. Schlesinger has said the procedure is akin to throwing dirt, some other medium in which he works fluently.
Currently represented by L.A. gallery Stanley's, Schlesinger has shown around the land in grouping and solo shows at the now-closed-simply-well-remembered New York galleries Signal in Brooklyn and Karma's Amagansett outpost, as well as Big Medium in Austin, Texas, leaving him poised to go on working in the aesthetic tradition of his cited artistic forebears: Cy Twombly, Suzan Frecon, and Peter Voulkos. We tin't wait to encounter what's next.
Trueing
Cofounders Josh Metersky and Aiden Bowman's five-year-old lighting studio Trueing expanded its material repertoire this summer with the release of Serie, a new collection of chandeliers and pendants offered in five metal finishes. Metersky, formerly an engineer and product director for the New York–based lighting designer Bec Brittain, and Bowman, a Bjarke Ingles Group alumnus, channel the traditions of Italian jewelers into fixtures comprised of substantial contumely links with satisfyingly precise beveled edges.
The drove proper name is Italian for "series," an on-the-nose nod to the format of the chain fixture, as much as the studio'south progression of ideas from glass to metal, forsaking the transparent for the opaque. Not that they have anything to hide: They also introduced their Cerine light fixtures in sandblasted glass this season, a new cease that, per Bowman, "is just really tasty-looking."
Slash Objects
Designer Arielle Assouline-Lichten, founder of the five-year-sometime Brooklyn-based studio Slash Objects, released her first lighting collection this spring, as office of her Coexist series. Each lamp is customizable and made entirely of recycled materials: a hand-hewn base crafted from marble remnants, a lampshade available in both a woven fabric made of 100 percent–recycled PET bottles, and a special edition bouclé.
The unfussy geometry of the base flatters both lampshade options, expanding on the contrasts and textures that define the studio's furniture-making. It'southward an elegant category bow from the studio, which is working next to bring the "exploded chandelier" from Assouline-Lichten'south time on the most contempo flavour of HBO Max's Ellen's Side by side Great Designer to market place as a multipiece collection.
Blue Green Works
New York–based studio Blueish Dark-green Works debuted its first collection this spring, designed and engineered entirely in lockdown. The resulting pieces were conceptualized around ideas of sanctuary through textures and materials that evoke sites of escape and leisure. The Fiber series, comprised of a sconce and pendant fixture, is a nautically tinged experiment in elemental raw fiberglass, while the Palm series is made from hand-rolled, kiln-slumped drinking glass and precision-machined metal elements configured equally pendants, a sconce and a floor lamp.
Creative managing director Peter B Staples, formerly of Apparatus Studio, mined his years spent combing the beaches of Burn down Island to inform the collection's measured approach to themes of temporality and transparency—from the dulled glow of a sunset hitting your eyes closed to the conviviality of a party that goes into the wee hours of the morning. The entire collection is currently available direct online and at The Time to come Perfect.
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Source: https://www.elledecor.com/design-decorate/a36866609/independent-lighting-collections-2021/
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